The WARC file format celebrates its 10th anniversary

By Sara Aubry, Web Archiving Project Manager at BnF

The WARC format is our Web ARChives format. It defines a way for combining digital resources into an aggregate archival file along with related metadata.It is today commonly used to store web crawls. For new comers, a WARC file is made of one or multiple records. Each record consists of a header followed by a content block. The header has mandatory named fields that document for instance the URI, the date, the type and the length of the record.The content block may contain resources in any format such as an HTML page,a binary image or a video file. WARC is an extension of the ARCfile format designed by the Internet Archive in 1996.The WARC format was initially released as an ISO international standard 10 years ago, in May 2009, under the number 28500:2009 (we also call it WARC version 1.0). The standardization opened the path to a wider use and implementation in a variety of applications for harvesting,accessing, mining, exchanging and preserving digital resources. While it represents the unique standard format for web archives, it has been adopted beyond the web archiving community to store born-digital or digitized materials.

As with all ISO standards, the WARC standard is periodically reviewed to ensure that it continues to meet the changing needs that emerge from our practice. The first revision, supported by an IIPC task force and the subcommittee in charge of technical interoperability within ISO information and documentation technical committee (ISO/TC46/SC4),was published in August 2017 as ISO28500:2017 (it is also  known as WARC version 1.1). This revision mainly introduced new named fields for deduplication and the possibility to have more precise timestamps (See IIPC GitHub for more details).

During the last IIPC general assembly that took place in November 2018 in Wellington, we started to discuss possible evolutions for the second revision. The ISO vote which is required to launch the revision process is currently scheduled for 2022. Alex Osborne from the National Library of Australia challenged the format to support the HTTP/2 protocol. Ilya Kremer presented Rhizome current implementation for recording provenance headers to indicate that a record has been created from another record and not from the original URL. Ilya also presented a need to keep track of dynamic history of a web page display. Exchanges continued and are still alive on IIPC GitHub and Slack (#warc channel). Hot topics are currently related to how to keep track of media (in particular video and audio files) conversion and how to reference a “transcluded” video or audio file from another page.

All these topics need time for raising awareness, in-depth discussions, shared testing and tool implementation within our community before they can be drafted and included in the standard.If you want to join the current discussions or raise any other topic, please join IIPC #warc channel on Slack.

Contribute to CDG’s AI Collection!

By Tiiu Daniel, Web Archive Leading Specialist, National Library of Estonia

“Trurl” by Daniel Mróz, from The Cyberiad by Stanisław Lem (Wydawnictwo Literackie, Kraków, 1972). Illustration copyright © 1972 Daniel Mróz. Reprinted by permission.

After significant breakthroughs at the end of the 20th and at the beginning of 21st centuries, artificial intelligence (AI) has played a greater role in our daily lives. Although AI has a huge positive impact on a variety of fields such as manufacturing, healthcare, art, transportation, retail and so on, the use of new technologies also raises ethical issues as well as security risks. One critical and hotly debated issue is the impact of ongoing automation on labor markets, to include changing educational requirements for jobs, job elimination, and various models for transitions.

The IIPC Content Development Group invites curators and web archivists around the world to contribute websites to a new “Artificial Intelligence” web collection.

The purpose of this collection is to bring together and record web content related to use of AI and its impact on any possible aspect of life, reflecting attitudes and thoughts towards it, future predictions etc.

The content can be in any language focusing on specific countries or cultures or have a global scope.

We especially welcome contributions from underrepresented countries, cultures, languages and other groups, or those countries without IIPC members. Curators currently building AI related collections at their own institutions are welcome to contribute their seeds (matching below criteria) to aid in the development of a collection with an international perspective.

The collection aims to cover the following subtopics:

  • Machine learning, natural language processing, robotics, automation;
  • AI in literature, visual arts (e.g. ceramics, drawing, painting, sculpture, design, photography, filmmaking, architecture) and performing arts (e.g. theater, public speech, dance, music etc.); AI in emerging art forms;
  • AI and law/legislation;
  • Social and economic impact (e.g. impact on behavior/interaction, bias in AI, unemployment, inequality, changes in labor markets);
  • Ethical issues (e.g. weaponization of AI, security, robot rights);
  • Future predictions/scenarios concerning AI.

Types of web content to include are personal forms such as blogs, forum posts, and artist websites; trend reports, statements, and analyses (i.e. from government agencies, NGOs, scientific or academic institutions, advocacy groups, businesses).

Time frame covered by content: from the 1990s onwards.

Out of scope are: full social media feeds and channels (Facebook, twitter, Instagram, YouTube, WhatsApp), user’ video channels (YouTube, Vimeo), apps and other content which is difficult or impossible to crawl.

That said, if you locate individual social media posts of unique value, such as an Instagram post by a bot or a particularly relevant and ephemeral individual video, please submit them for consideration.

Nominations are welcomed using the following form.

The call for nominations will close on the 30th of June 2019. Crawls will be run during the summer 2019. Collection will be made available at the end of 2019.

 For more information about this collection, contact Tiiu Daniel (tiiu.daniel[at]nlib.ee).


Lead-Curators of CDG Artificial Intelligence Collection
Tiiu Daniel, Web Archive Leading Specialist, National Library of Estonia
Liisi Esse, Ph.D. Associate Curator for Estonian and Baltic Studies Stanford University Libraries
Rashi Joshi, Reference Librarian /Collections Specialist, Library of Congress

CDG Co-Chairs
Nicola Bingham, Lead Curator Web Archiving, British Library
Alex Thurman, Web Resources Collection Coordinator, Columbia University Libraries